19″ PTZ SDI Teleprompter w/ Widescreen Talent Monitor, Tripod & Dolly Turnkey

PT4900S-PTZ-TM-V2

PTZ Teleprompting

The Ikan PTZ Teleprompter system is a unique PTZ teleprompting system that enables the PTZ camera’s pan, tilt and zoom capabilities while still behind the reflective teleprompter glass. You can easily pan the camera between multiple people  reading from the same script.

Fully Enclosed PTZ Hood

The PTZ teleprompter features a lightweight hood that fully encloses the PTZ camera, which allows it’s movement to remain unconstrained. The hood includes an opening in the back that gives you quick access to the PTZ cameras inputs and outputs. The opening can be closed with a drawstring which removes the possibility of any light leaks.

High-Bright Teleprompter Monitor

The 1000 nit high bright screen is able to deliver clear and vivid text visibility in various lighting conditions. In environments with intense lighting, such as outdoor settings or brightly lit studios. This feature is particularly vital for outdoor teleprompting, where sunlight can wash out the display of a standard monitor. The script monitor features HDMI, VGA, and 3G-SDI inputs. The native resolution is 1280 x 1024 and the max brightness is 1000 nits. The OSD adjustment menu allows adjustment for contrast, brightness, backlight, tint, chroma, sharpness. You can also adjust the intensity of each RGB color channel. Aspect ratio can be set as 16:9, 4:3, full, or it can be set to automatically detect the aspect ratio and set it accordingly.

Easy-to-balance

The PT4900-PTZ-V2 includes a long rail which allows you to easily balance your entire teleprompter setup. The teleprompter base can be easily moved forwards and backwards until the perfect balance is set.

Large Range of Camera Compatibility

Our PTZ Teleprompter includes a large canvas hood, making it compatible with the vast majority of PTZ cameras.

Ultra-Secure Hood

The hood of the PTZ teleprompter is anchored to the frame with bolts and additionally secured with magnets for extra stability.

Proprietary Glass and Coating Formula

The glass is coated so that it reflects 65% of the light projected onto it while allowing the remaining 35% to pass through. This unique characteristic enables the presenter to read the reflected script text clearly, projected from a monitor below or behind the glass, while simultaneously allowing the camera positioned directly behind the glass to record through it without capturing the reflected text.

Image Flip Button

The monitor features an image flip button that allows for both horizontal and vertical flipping of the displayed image. This feature is ideal for presenters who are video conferencing since it enables the presenter to view themselves as if they were looking into a mirror, giving a greater sense of comfort during the video conference or live stream.

Aluminum Chassis

The custom aluminum housing is robust and will protect the monitor from the rigors of production. The monitor features bezel-mounted buttons making it easy to navigate menu functions or change your input source.

Widescreen Talent Monitor

The 19-inch Widescreen Talent Monitor is designed to conveniently attach below the teleprompter to enable on-screen talent see their presentations live. The monitor features 3G-SDI, HDMI, and VGA, inputs. The native resolution is 1920 x 1080 HD and max brightness is 1000 nits. The OSD adjustment menu allows adjustment for contrast, brightness, backlight, tint, chroma, sharpness. You can also adjust the intensity of each RGB color channel. Aspect ratio can be set as 16:9, 4:3, full, or it can be set to automatically detect the aspect ratio and set it accordingly. When plugged into a compatible video switcher, the talent monitor utilizes a red/green tally light that lets you know when your camera is live. The talent monitor includes a 15mm mounting system that connects it to the teleprompter.

Built-in Tally Light for On Air Status

The widescreen talent monitor features a tally light that illuminates red, green, and yellow. This means that a director can cut between cameras and the tally color will let the on-camera talent know which camera is live. Yellow tally lights are typically used as a way to signal to the talent, crew, and director that a camera is about to go live, and to be ready for the shot. A green tally light is typically used to indicate that a camera is in preview mode. This means that the camera’s output is being sent to a monitor, but it is not currently on air. This allows the talent, director, and production crew to check the composition, focus, and other aspects of the shot before it goes live. A red tally light is used to indicate when a camera is live or on-air.

Dual Tally Lights

The talent monitor can be mounted as either a talent monitor or a script monitor. The monitor features a toggle switch that allows you to choose which of the two tally lights you would like to use depending on which setup you decide to choose.

Ships in Reusable Foam

The professional teleprompter is shipped in reusable custom cut foam which will help keep the kit safe and organized when you set it up or break it down. The custom cut foam fits perfectly fit in the optional Ikan PT-CASE-4U rolling hard case

HEAVY-DUTY TRIPOD

The heavy-duty tripod is made of aluminum and the legs are a twin tube design with two stages. It includes the E-Image Mono-Lock design which allows you to control the height of both stages with a single twist lock. The full system, once completely assembled, can be adjusted to a maximum height of 75.5” and a minimum height of 37”.

DRAG/COUNTERBALANCE

The fluid head features 15-steps of adjustable counterbalance system, and 8 steps of pan & tilt dampening. The Drag & Counterbalance combined are a crucial feature in video camera tripods, enhancing stability and facilitating smooth camera movements.

SLIDE RANGE

The 60mm tripod plate mounts the teleprompter system to the fluid head and provides an extra 5.7 inches of sliding range. By allowing horizontal adjustments of the camera position on the tripod plate, this feature enables precise counterbalancing. Videographers can fine-tune the distribution of weight to achieve equilibrium, ensuring that the counterbalance system effectively stabilizes the camera setup, especially when using heavy lenses or accessories.

PAN & TILT LOCKS

The fluid head features individual locks for both the pan and tilt. These locks allow videographers to fix the horizontal panning and vertical tilting axes, ensuring stability and eliminating unintended shifts in framing.

DUAL PANHANDLES

The dual panhandles allow you to maintain firm control on your shots. These panhandles also work perfectly for mounting zoom, focus, and iris controls. The length range for each panhandle is 16.7″ to 24″

100MM BOWL

The fluid head includes a 100mm bowl mount with a twist lock to secure the teleprompter and camera payload. This standardized bowl size serves as a connection point between the tripod legs and the video head, providing a secure and versatile platform.

HIGH-CAPACITY DOLLY

The EI-7004B comes with cable guards and allows for quick and smooth movement for tripods weighing up to 132 lb. It is equipped with individually braked 4″ wheels with cable guards and folds for easy transporting. It’s designed for use with all E-Image tripod legs that feature dual spiked feet. It supports up to 132 pounds and is ideal for moving tripods along a flat surface for quick re-positioning between shots and is designed to help you move heavy tripods from one camera position to the next.

This tripod dolly features 4″-diameter, non-marring rubber wheels with individual brakes, and a 39.4″ working base diameter. Once removed from your tripod legs, it folds for storage or transport.